Crucial Instances
CRUCIAL INSTANCES BY EDITH WHARTON TABLE OF CONTENTS I _The Duchess at Prayer_ II _The Angel at the Grave_ III _The Recovery_ IV _"Copy": A Dialogue_ V _The Rembrandt_
disregard, and thought all would give way to the Emperor's will.
Christmas had come, but for one man at Milan there were no hymns, no
shouts of 'glad tidings!' no midnight festival, no rejoicing that 'to us
a Child is born; to us a Son is given'. The Basilica was thronged with
worshippers and rang with their Amens, resounding like thunder, and
their echoing song--the Te Deum--then their newest hymn of praise. But
the lord of all those multitudes was alone in his palace. He had not
shown good will to man; he had not learnt mercy and peace from the
Prince of Peace; and the door was shut upon him. He was a resolute
Spanish Roman, a well-tried soldier, a man advancing in years, but he
wept, and wept bitterly. Rufinus found him thus weeping. It must have
been strange to the courtier that his master did not send his lictors to
carry the offending bishop to a dungeon, and give all his court favor to
the heretics, like the last empress who had reigned at Milan. Nay, he
might even, like Julian the Apostate, have altogether renounced that
Christian faith which could humble an emperor below the poorest of his
subjects.
But Rufinus contented himself with urging the Emperor not to remain at
home lamenting, but to endeavor again to obtain admission into the
church, assuring him that the Bishop would give way. Theodosius replied
that he did not expect it, but yielded to the persuasions, and Rufinus
hastened on before to warn the Bishop of his coming, and represented how
inexpedient it was to offend him.
'I warn you,' replied Ambrose, 'that I shall oppose his entrance, but if
CRUCIAL INSTANCES BY EDITH WHARTON TABLE OF CONTENTS I _The Duchess at Prayer_ II _The Angel at the Grave_ III _The Recovery_ IV _"Copy": A Dialogue_ V _The Rembrandt_