Valhall. Nevertheless there is a pastoral staff across the doorway, barring the way of the king, and that staff is held against him by an Englishman, William, Bishop of Roskilde, the missionary who had converted a great part of Zealand, but who will not accept Christians who have not laid aside their sins. He confronts the king who has never been opposed before. 'Go back,' he says, 'nor dare approach the alter of God--thou who art not a king but a murderer.' Some of the jarls seized their swords and axes, and were about to strike the bishop away from the threshold, but he, without removing his staff, bent his head, and bade them strike, saying he was ready to die in the cause of God. But the king came to a better frame of mind, he called the jarls away, and returning humbly to his palace, took off his royal robes, and came again barefoot and in sackcloth to the church door, where Bishop William met him, took him by the hand, gave him the kiss of peace, and led him to the penitents' place. After three days he was absolved, and for the rest of his life, the bishop and the king lived in the closest friendship, so much so that William always prayed that even in death he might not be divided from his friend. The prayer was granted. The two died almost at the same time, and were buried together in the cathedral at Roskilde, where the one had taught and other learnt the great lesson of mercy. THE LAST FIGHT IN THE COLISEUM A.D. 404 As the Romans grew prouder and more fond of pleasure, no one could hope to please them who did not give them sports and entertainments. When any person wished to be elected to any public office, it was a matter of course that he should compliment his fellow citizens by exhibitions of the kind they loved, and when the common people were discontented, their cry was that they wanted panem ac Circenses, 'bread and sports', the only things they cared for. In most places where there has been a large Roman colony, remains can be seen of the amphitheatres, where the citizens were wont to assemble for these diversions. Sometimes these are stages of circular galleries of seats hewn out of the hillside, where rows of spectators might sit one above the other, all looking down on a broad, flat space in the centre, under their feet, where the representations took place. Sometimes, when the country was flat, or it was easier to build than to excavate, the amphitheatre was raised above ground, rising up to a considerable height. The grandest and most renowned of all these amphitheatres is the