III--A PARALLEL (MOLL CUTPURSE AND JONATHAN WILD) THEY plied the same trade, each with incomparable success. By her, as by him, the art of the fence was carried to its ultimate perfection. In their hands the high policy of theft wanted nor dignity nor assurance. Neither harboured a single scheme which was not straightway translated into action, and they were masters at once of Newgate and the Highway. As none might rob without the encouragement of his emperor, so none was hanged at Tyburn while intrigue or bribery might avail to drag a half-doomed neck from the halter; and not even Moll herself was more bitterly tyrannical in the control of a reckless gang than the thin-jawed, hatchet-faced Jonathan Wild. They were statesmen rather than warriors--happy if they might direct the enterprises of others, and determined to punish the lightest disobedience by death. The mind of each was readier than his right arm, and neither would risk an easy advantage by a misunderstood or unwonted sleight of hand. But when you leave the exercise of their craft to contemplate their character with a larger eye, it is the woman who at every point has the advantage. Not only was she the peerless inventor of a new cunning; she was at home (and abroad) the better fellow. The suppression of sex was in itself an unparalleled triumph, and the most envious detractor could not but marvel at the domination of her womanhood. Moreover, she shone in a gayer, more splendid epoch. The worthy contemporary of Shakespeare, she had small difficulty in performing feats of prowess and resource which daunted the intrepid ruffians of the eighteenth century. Her period, in brief, gave her an eternal superiority; and it were as hopeless for Otway to surpass the master whom he disgraced, as for Wild to o'ershadow the brilliant example of Moll Cutpurse. Tyrants both, they exercised their sovereignty in accordance with their varying temperament. Hers was a fine, fat, Falstaffian humour, which, while it inspired Middleton, might have suggested to Shakespeare an equal companion of the drunken knight. His was but a narrow, cynic wit, not edged like the knife, which wellnigh cut his throat, but blunt and scratching like a worn-toothed saw. She laughed with a laugh that echoed from Ludgate to Charing Cross, and her voice drowned all the City. He grinned rarely and with malice; he piped in a voice shrill and acid as the tricks of his mischievous imagination. She knew no cruelty beyond the necessities of her life, and none regretted more than she the inevitable death of a traitor. He lusted after destruction with a fiendish temper, which was a grim anticipation of De Sade; he would even smile as he saw the noose tighten