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A Certain Rich Man

Creator: White, William Allen, 1868-1944
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boys, for she was a sensible woman, but it gave him a prestige on the playground that he was not slow to take. He was a born trader; and he kept what he got and got more. His weakness was music. He kept two cows in his herd in the summer time in return for the use of the melodeon at the Thayer House, and moved it to his own home and put it in the crowded little room, and practised on it at night when the other boys were loafing at the town pump. For a consideration in marbles he taught Buck Culpepper the chords in "G" on the guitar, and for further consideration taught him the chords in "D" and "C," and with the aid of Jimmy Fernald, aged nine, and Molly Culpepper, aged eleven, one with a triangle and the other with a pumpkin reed pipe, John organized his Band, which he led with his mouth-organ, and exhibited in Culpepper's barn, appropriating to himself as the director the pins charged at the door. Forty years afterward, when Molly called his attention to his failure to divide with the children, John Barclay smiled as he lifted his lame foot to a fat leather chair in front of him and said, "That was what we call the promoter's profit." And then the talk ran to Ellen, and John opened his great desk and from a box without a mark on it he brought out a tintype picture of Ellen at fourteen, a pink-cheeked child in short sleeves, with the fringe of her pantalets showing above her red striped stockings and beneath her bulging skirts, and with a stringy, stiff feather rising from the front of her narrow-rimmed hat. During the time when he was going to school by day and working
Slave Narratives: a Folk History of Slavery in the United States From Interviews with Former Slaves Arkansas Narratives, Part 1

SLAVE NARRATIVES A Folk History of Slavery in the United States From Interviews with Former Slaves TYPEWRITTEN RECORDS PREPARED BY THE FEDERAL WRITERS' PROJECT, 1936-1938 ASSEMBLED BY THE LIBRARY OF CONGRESS PROJECT WORK PROJECTS ADMINISTRATION FOR THE DISTRICT OF COLUMBIA SPONSORED BY THE LIBRARY OF CONGRESS Illustrated with Photographs WASHINGTON 1941
evenings and caring for the town herd through the summer, the war was dragging wearily on. Sometimes a soldier came home on a furlough and there was news of the Sycamore Ridge men, but oftener it was a season of waiting and working. The women and children cared for the farms and the stores as best they could and lived, heaven only knows how, and opened every newspaper with horror and dread, and glanced down the long list of names of the dead, the missing and the wounded, fearful of what they might see. Mrs. Barclay heard from Miss Lucy and through her kept track of Philemon Ward, who was transferred to another regiment after he was made major. And when he was made a colonel at Shiloh, there were tear blots on Miss Lucy's letter that told of it, and after Appomattox he was brevetted a general. As for Captain Culpepper, he came home a colonel, and Jake Dolan came home a first lieutenant. But Watts McHurdie came home with a letter from Lincoln about his song, and he was the greatest man of all of them. It is odd that Sycamore Ridge grew during the war. Where the people came from, no one could say--yet they came, and young Barclay remembered even during the war of playing in the foundations and running over the rafters of new houses. But when the war closed, the great caravan that had lagged while the war was raging, began to trail itself steadily in front of Mrs. Barclay's door, through the streets of Sycamore Ridge and out over the western hills. Soldiers with their families passed, going to the free homesteads, and the line of movers' wagons began with daybreak and rumbled by far into the night. But hundreds of wagons stopped in Sycamore Ridge, and the stage came