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A Certain Rich Man

Creator: White, William Allen, 1868-1944
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He put every dollar he could get into town lots, paying for all he bought and avoiding mortgages. Also he joined Colonel Culpepper in putting the College Heights upon the market. "For what," explained the colonel, when the propriety of using the name for his addition was questioned, when no college was there nor any prospect of a college for years to come--"what is plainer to the prophetic eye than that time will bring to this magnificent city an institution of learning worthy of our hopes? I have noticed," added the colonel, waving his cigar broadly about him, "that learning is a shy goddess; she has to be coaxed--hence on these empyrean heights we have provided for a seat of learning; therefore College Heights. Look at the splendid vista, the entrancing view, in point of fact." It was the large white plumes dancing in the colonel's prophetic eyes. So it happened that more real estate buyers than clients came to the office of Ward and Barclay. But as the general that fall had been out of the office running for Congress on the Greeley ticket, still protesting against the crime of paying the soldiers in paper and the bondholders in gold, he did not miss the clients, and as John saw to it that there was enough law business to keep Mrs. Ward going, the general returned from the canvass overwhelmingly beaten, but not in the least dismayed; and as Jake Dolan put it, "The general had his say and the people had their choice--so both are happy." As the winter deepened John and Colonel Culpepper planted five hundred elm trees on the campus on College Heights, lining three broad avenues
A Love Episode

A LOVE EPISODE BY EMILE ZOLA ILLUSTRATED BY DANTAN [Illustration: Emile Zola] ZOLA AND HIS WRITINGS Emile Zola was born in Paris, April 2, 1840. His father was Francois Zola, an Italian engineer, who constructed the Canal Zola in Provence. Zola passed his early youth in the south of France, continuing his studies at the Lycee St. Louis, in Paris, and at Marseilles. His sole patrimony was a lawsuit against the town of Aix. He became a clerk in
leading from the town to the campus with the trees. John rode into the woods and picked the trees, and saw that each one was properly set. And the colonel noticed that the finest trees were on Ellen Avenue and spoke of it to Mrs. Culpepper, who only said, "Yes, pa--that's just like him." And the colonel looked puzzled. And when the colonel added, "They say he is shining up to that Mason girl from Minneola, that comes here with Molly," his wife returned, "Yes, I expected that sooner than now." The colonel gave the subject up. The ways of women were past his finding out. But Mrs. Culpepper had heard Jane Mason sing a duet in church with John Barclay, and the elder woman had heard in the big contralto voice of the girl something not meant for the preacher. And Mrs. Culpepper heard John answer it, so she knew what he did not know, what Jane Mason did not know, and what only Molly Culpepper suspected, and Bob Hendricks scoffed at. As for John, he said to Bob: "I know why you always want me to go over with you and Molly to get the Mason girl--by cracky, I'm the only fellow in town that will let you and Molly have the back seat coming home without a fuss! No, Robbie--you don't fool your Uncle John." And so when there was to be special music at the church, or when any other musical event was expected, John and Bob would get a two-seated buggy, and drive to Minneola and bring the soloist back with them. And there would be dances and parties, and coming from Minneola and going back there would be much singing. "The fox is on the hill, I hear him calling still," was a favourite, but "Come where the lilies bloom" rent the midnight air between the rival towns many times that winter