the steel curly-cues curving over the toes, or filing a groove in the blades, the boy's greatest joy was with his mother. Sometimes as she ironed she told him stories of his father, or when the child was sick and nervous, as a special favour, on his promise to take the medicine and not ask for a drink, she would bring her guitar from under the bed and tune it up and play with a curious little mouse-like touch. And on rare occasions she would sing to her own shy maidenly accompaniment, her voice rising scarcely higher than the wind in the sycamore at the spring outside. The boy remembered only one line of an old song she sometimes tried to sing: "Sleeping, I dream, love, dream, love, of thee," but what the rest of it was, and what it was all about, he never knew; for when she got that far, she always stopped and came to the bed and lay beside him, and they both cried, though as a child he did not know why. So the winter of 1857 wore away at Sycamore Ridge, and with the coming of the spring of '58, when the town was formally incorporated, even into the boy world there came the murmurs of strife and alarms. The games the boys played were war games. They had battles in the woods, between the free-state and the pro-slavery men, and once--twice--three times there marched by on the road real soldiers, and it was no unusual thing to see a dragoon dismount at the town well and water his horse. The big boys in school affected spurs, and Miss Lucy brought to school with her one morning a long bundle, which, when it was unwrapped, disclosed the sword of her father, Captain Barnes, presented to him by his admiring soldiers at the close of the "Black Hawk War." John traded for a tin fife and learned to play "Jaybird" upon it, though he preferred the jew's-harp, and had a more varied repertory with it. Was it an era of music, or is childhood the period of music? Perhaps this land of ours was younger than it is now and sang more lustily, if not with great precision; for to the man who harks back over the years, those were days of song. All the world seemed singing--men in their stores and shops, women at their work, and children in their schools. And a freckled, barefooted little boy with sunburned curly hair, in home-made clothes, and with brown bare legs showing through the rips in his trousers, used to sit alone in the woods breathing his soul into a mouth-organ--a priceless treasure for which he had traded two raccoons, an owl, and a prairie dog. But he mastered the mouth-organ,--it was called a French harp in those days,--and before he had put on his first collar, Watts McHurdie had taught the boy to play the accordion. The great heavy bellows was half as large as he was, but the little chap would sit in McHurdie's harness shop of a summer afternoon and swing the instrument up and down as the melody swelled or died, and sway his body with the time and the tune, as Watts McHurdie, who owned the accordion, swayed and gyrated when he played. Mrs. Barclay, hearing her son, smiled and shook her head and knew him for a Thatcher; "No Barclay," she said, "ever could carry a tune." So the mother brought out from the bottom of the trunk her yellow-covered book, "Winner's Instructor on the Guitar," and taught the child what she could of notes. Thus music found its way out of the boy's soul.