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A Damsel in Distress

Creator: Wodehouse, P. G. (Pelham Grenville), 1881-1975
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perfunctorily and without enthusiasm. The cat moved on. Mac became conversational. "They tell me the piece was a hit last night, sir." "It seemed to go very well." "My Missus saw it from the gallery, and all the first-nighters was speaking very 'ighly of it. There's a regular click, you know, sir, over here in London, that goes to all the first nights in the gallery. 'Ighly critical they are always. Specially if it's an American piece like this one. If they don't like it, they precious soon let you know. My missus ses they was all speakin' very 'ighly of it. My missus says she ain't seen a livelier show for a long time, and she's a great theatregoer. My missus says they was all specially pleased with the music." "That's good." "The Morning Leader give it a fine write-up. How was the rest of the papers?" "Splendid, all of them. I haven't seen the evening papers yet. I came out to get them."
Little Lucy's Wonderful Globe

LITTLE LUCY'S WONDERFUL GLOBE by Charlotte M. Yonge "Young fingers idly roll The mimic earth or trace In picture bright of blue and gold Each other circling chase"--KEBLE CONTENTS. Chapter I. Mother Bunch. Chapter II. Visitors from the South Seas.
Mac looked down the street. "There'll be a rehearsal this afternoon, I suppose, sir? Here's Miss Dore coming along." George followed his glance. A tall girl in a tailor-made suit of blue was coming towards them. Even at a distance one caught the genial personality of the new arrival. It seemed to go before her like a heartening breeze. She picked her way carefully through the children crawling on the side walk. She stopped for a moment and said something to one of them. The child grinned. Even the proprietor of the grocery store appeared to brighten up at the sight of her, as at the sight of some old friend. "How's business, Bill?" she called to him as she passed the spot where he stood brooding on the mortality of tomatoes. And, though he replied "Rotten", a faint, grim smile did nevertheless flicker across his tragic mask. Billie Dore, who was one of the chorus of George Bevan's musical comedy, had an attractive face, a mouth that laughed readily, rather bright golden hair (which, she was fond of insisting with perfect truth, was genuine though appearances were against it), and steady blue eyes. The latter were frequently employed by her in quelling admirers who were encouraged by the former to become too