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A Further Contribution to the Study of the Mortuary Customs of the North American Indians

Creator: Yarrow, H. C. (Harry Cr?©cy), 1840-1929
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the grave. It should be remembered, among the Otoe and Missouri Indians dirt is not filled in upon the body, but simply rounded up from the surface upon stout logs that are accurately fitted over the opening of the grave. After the burying is completed, a distribution of the property of the deceased takes place, the near relatives receiving everything, from the merest trifle to the tent and homes, leaving the immediate family, wife and children or father out-door pensioners. Although the same generosity is not observed towards the whites assisting in funeral rites, it is universally practiced as regards Indians, and poverty's lot is borne by the survivors with a fortitude and resignation which in them amounts to duty, and marks a higher grade of intrinsic worth than pervades whites of like advantages and conditions. We are told in the Old Testament Scriptures, "four days and four nights should the fires burn," &c. In fulfillment of this sacred injunction, we find the midnight vigil carefully kept by these Indians four days and four nights at the graves of their departed. A small fire is kindled for the purpose near the grave at sunset, where the nearest relatives convene and maintain a continuous lamentation till the morning dawn. There was an ancient tradition that at the expiration of this time the Indian arose, and mounting his
Modern Fiction

MODERN FICTION By Charles Dudley Warner One of the worst characteristics of modern fiction is its so-called truth to nature. For fiction is an art, as painting is, as sculpture is, as acting is. A photograph of a natural object is not art; nor is the plaster cast of a man's face, nor is the bare setting on the stage of an actual occurrence. Art requires an idealization of nature. The amateur, though she may be a lady, who attempts to represent upon the stage the lady of the drawing-room, usually fails to convey to the spectators the impression of a lady. She lacks the art by which the trained actress, who may not be a lady, succeeds. The actual transfer to the stage of the drawing-room and its occupants, with the behavior common in well-bred society, would no doubt fail of the intended dramatic effect, and the spectators would declare the representation unnatural. However our jargon of criticism may confound terms, we do not need to be reminded that art and nature are distinct; that art, though dependent on nature, is a separate creation; that art is selection and idealization, with a view to impressing the mind with human, or even higher than human,
spirit pony, galloped off to the happy hunting-ground beyond. Happily, with the advancement of Christianity these superstitions have faded, and the living sacrifices are partially continued only from a belief that by parting with their most cherished and valuable goods they propitiate the Great Spirit for the sins committed during the life of the deceased. This, though at first revolting, we find was the practice of our own forefathers, offering up as burnt offerings the lamb or the ox; hence we cannot censure this people, but, from a comparison of conditions, credit them with a more strict observance of our Holy Book than pride and seductive fashions permit of us. From a careful review of the whole of their attendant ceremonies a remarkable similarity can be marked. The arrangement of the corpse preparatory to interment, the funeral feast, the local service by the aged fathers, are all observances that have been noted among whites, extending into times that are in the memory of those still living. The Pimas of Arizona, actuated by apparently the same motives that led the more eastern tribes to endeavor to prevent contact of earth with the corpse, adopted a plan which has been described by Capt. F.E. Grossman,[5] and the account is corroborated by M. Alphonse Pinart[6]